Recycle film canister as DSLR pop-up flash diffuser.

    While the pop-up flash on many DSLRs are a way to get some extra light in a picture, it's not the best.

    These flashes, which take up the top part of the pentaprism, are typically tiny and work best at the range of 12 feet. It's also a hard light, which means a subject is going to have hard shadows around it and be harshly lit.

    I only use mine in situations where there's no other way to get the picture or as a wireless trigger for other flashes.

    But over on Instructables, user deth2all presents a way to take some of the harsh edge off the pop-up's light, and even add some color to it as well. And if you used to do a lot of film shooting with Fujifilm, or know someone who did, you can get the main part you're going to need.

   (deth2all/cc-by-sa)

    The diffuser consists of the plastic film canister that protected the film cartridge before use and later when sitting in your gadget bag. It has to be Fujifilm, which used a white, translucent plastic to make its cases; Kodak's canisters are all black.

    The project involves cutting away part of the canister's side wall, so it can fit over the flash head. He also cuts a slot in the side of the cap, which is glued back in. That slot is used to insert a colored gel for various effects, as well as balancing the flash with another light source.

    (He recommends getting sample packs of gels from art-supply stores, but those have since stopped providing them. You can make some of your own by cutting up colored plastic report covers.)

    The results he posted on the site show some reasonably good results. If you're looking to improve your flash photography but aren't ready to make the leap to speed lights, this is a good option.

DIY hack lets you get Gary Fong-like lighting from your speed light

    Speed lights, or flashes as we used to call them, are great for getting lighting where it's needed.

    But, in their basic, unmodified state, they produce a light that's pretty hard and not flattering. 

    So far, I've shown how you can make bounce cards and soft boxes that will take the edge off that harsh light and make your subject look better.

    Another device for doing this is the Lightsphere developed by Gary Fong. It's essentially a translucent plastic-and-silicone sphere that attaches to your flash and provides a diffused light for your subject.

    I remember seeing one in a picture of a press scrum at a Mitt Romney campaign event and joking that it looks like Mystery Science Theatre 3000's Tom Servo is a Romney supporter. 

    The concept is actually quite good, especially when you're in places where there isn't a white ceiling and/or wall to bounce a flash.

    But it comes with a $70 price tag, which can be a "hard nope" for some people.

    However, there's a way to get the same effect at a fraction of the price, and all it requires is a trip to the local department store for a few odds and ends. Specifically, you'll need a plastic drawer/shelf liner (not the self-adhesive kind) and velcro tape.

    As shown on Instructables, you cut a 15-by-6-inch piece out of the shelf liner, apply the velcro on the narrow ends of the piece on opposite sides and then you wrap it around your flash.

    It should look like this when you're done. (Photo credit: Arthur Gajewski, cc-by-sa)

    You'll notice it appears to be sideways on the flash, but that allows you to effectively use it whether you're holding the camera in a landscape or portrait orientation.

     So, how does it work?

    Allen Mowery did a Youtube video demonstrating. Check it out. I think I'll be adding one to my ever cramped camera bag.